The Magic Oxygen Literary Prize

MOLP posterMagic Oxygen, as you will be aware if you have clicked on ‘My Publisher’ at the top of this page, are the wonderful people who have published my books. But unless you have visited their website you may not be aware that they take pride in having a much fairer and greener ethos than most other companies out there. And they are very keen on encouraging creativity, wordplay and storytelling (most usually accompanied by a lovely cup of tea and some biscuits.)

This is why in June this year they launched the Magic Oxygen Literary Prize, a competition with two categories, short stories up to 4000 words and poems up to 50 lines. Each category carries a first prize of £1000, with a second prize of £300, a third prize of £100 and two highly commended prizes of £50. All the winning entries will be published in an anthology. Not only that but, true to their ethics, they have pledged to plant a tree for every entry they receive, to create the Magic Oxygen Word Forest.

It’s only £5 to enter and is open worldwide to anyone over 16. And it doesn’t close until 30th November 2014. So pick up your pens and get writing. Get your entry in! You’ve got nothing to lose and everything potentially to gain and what’s the very worst that could happen? You’ll have helped to grow not just a tree but the amazing and wonderful art of words.

For more details about the Magic Oxygen Literary Prize and further information about the Word Forest, go to http://www.magicoxygen.co.uk/competition/

Good luck!

A Cloak of Glass by Connor Cadellin Mckee

I am pleased to have another guest post from the talented Connor Cadellin Mckee, introducing his new story, A Cloak of Glass, a short prequel to his dark, dystopian novel Children of the Crater, which was released in May 2014. And lucky us, this one’s free to download. Thanks, Connor!

 

A Cloak of Glass

Art work by Phanutchanat Chareonsap & Connor Mckee

It happened on the 19th of July, 2014. I was sitting in a Dutch coffee shop, a warm drink resting on the knotted wooden table before me. I was thinking not of drinking, but of stories. I wanted to write a prequel to Children of the Crater, that much I had worked out, but which characters to follow? One by one I ticked off Vanir in my head; many of my characters were simply too young to have much more backstory than I had already given them. At the moment my mind reached the twins, two identical women walked in and took a seat at the table across from mine. I said nothing to them, nor they to me; but the idea was planted.

By that evening I had the story mapped out, and now here we are. A Cloak of Glass has been released here on the internet (for free) via Smashwords. The twins are such mysterious characters to me, they are really fun to write about. Enjoy!

https://www.smashwords.com/books/view/472043

A Dilemma

Jars of sweetsIt’s been a busy month with one thing and another and last week, as I completed a piece of work for Magic Oxygen (exciting stuff; more information soon), I found myself with a bit of a lull. Just as I was planning to start a) re-drafting the novel I wrote earlier this year and b) finishing a novelette that has been waiting patiently for some attention, what happens?

Two new characters walk into my head and quietly but insistently make themselves at home. I watch as their story begins to take shape, fragments and scenes and information pouring through my conscious. They are difficult to ignore, try as I might, and within a few hours they have been joined by two more characters, some locations and a soundtrack.

They are intriguing and despite my (admittedly rather half hearted) attempts to send them to the back of the queue I am driven to make some notes – a little background information, some scenes, scraps of conversation, . A vague timeline presents itself. So here is my dilemma – do I start writing their story now and make the others wait? Or do I keep making notes and hatching a plan whilst finishing what has already been waiting too long, and brave the challenge of National Novel Writing Month again this November? Hmmm…

As dilemmas go, it’s a pretty pleasant one. A bit like standing in the sweet shop when you’re nine, thinking ‘Pear drops or toffees? Chocolate or jelly beans?’ Such a tough decision! Perhaps the only way to solve it is to indulge in a nice cup of tea and some contemplation under the apple tree…

The Moss Girl – a short story

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Moss on rocks by stream

Photo by Jon Sullivan

The Moss Girl gazed from the outcrop of rocks into the clearing where the stream sparkled and the silver birches laughed, swinging their silky green hair over the water. The beeches stood behind them, the tree cover thickening away from the glade. She felt the old stones beneath her, skeleton to her skin, heard the soft music of the sunlit air and the quiet awe of the people who wandered through, commenting on the beauty of the water, the trees, the flowers that danced through the grass. It saddened her;  she did not have the grace of the birches and their sisters, the ash or the colourful clothes of the starflowers and campion and buttercups. She lacked the musical voice of the flighted ones and the brilliance of the water which threw diamonds all around, the ancient stillness of the rocks and the old wisdom of the trees. The shimmering loveliness of the leaves beneath the radiance of the sun and moon was beyond her. She felt unseen amongst nature, unnoticed and unimportant.

She rose in the morning to join the dance with the tree sylphs, and they encouraged her, whirling around her and whispering ‘Well done, little sister.’ But they were taller and more elegant than she, light as air, and try as she might she could never keep up. She rose in the night to follow the naiads as they skipped and skated along the stream, and they called to her ‘Join us, little sister.’ But they were quicker and stronger than she, streamlined and sleek in the water, and she was always left behind.

One night, when the moon was full and the glade gleamed softly in the light, it became too much for the Moss Girl. She knelt bereft by the brook, watching the naiads leaping from the silvered surface and the sylphs gliding amongst the tree trunks, salt tears slipping down her face into the water and onto the ground. The naiads came to her and said ‘Don’t weep, little sister, for your tears will turn our stream into sea and we will have to leave.’ The sylphs came to her and said ‘Don’t weep, little sister, for your tears will salt the earth and our trees will not grow and we will have to leave.’ So the Moss Girl returned to her place and curled up into a ball and wept onto the rocks where she would cause no harm.

Eventually, she became aware of movement, a shifting and creaking and grinding behind her. She sat up quickly, unsure of what was happening. The surface of the stone rippled and tore; a figure began to emerge, pulling out of the very rock itself. Stillness fell over the glade – the naiads came to rest at the edge of the stream and the sylphs returned to stand silently beside their trees. The Moss Girl drew herself into the smallest space she could, all but disappearing into her soft green dress.

The figure shook herself loose from the outcrop and moved forward, stretching. The Moss Girl hid her face, recognising the power of a most ancient spirit. The Stone Mother rarely appeared in person – she, like the others of her kind, was usually there as a presence only. For her to corporealise indicated something of great importance and the Moss Girl wanted to stay out of the way. So she was surprised when she felt a hand on her head, stroking her soft green hair.

‘Why are you crying, little one?’ The voice was deep and resonant, felt through the bones of the earth.
‘Oh Mother, it is nothing important,’ said the Moss Girl, horrified that she had taken the Mother’s attention away from her duties.
‘It is important,’ the Stone Mother disagreed. ‘When one of us weeps as you are now, it affects us all.’
‘But I have no worth,’ said the Moss Girl. ‘I am plain, not beautiful like the flowers, and clumsy, not graceful like the trees, and dull, not brilliant like the naiads. I help no one, I please no one. I…’
The Stone Mother took the Moss Girl’s face in her hands.
‘Everyone and everything has its worth, child, but it should not be measured against others. You look out and see the beauty in all around you, but you have forgotten how to see it in yourself. That is why I am here – to remind you of what you truly are. Look into my eyes and you’ll see what I see.’

The Moss Girl did as she was told and looked into the Stone Mother’s dark eyes. There were pictures forming and she saw herself cushioning the rocks, the sunlight illuminating her in every glorious shade of green. She saw the many tiny creatures that made their home amongst the roots that she sent down, the birds taking bits of her loose hair to line nests ready for their young and people wandering through,  reaching out to touch her appreciatively or sitting to rest cocooned in her softness.
The Moss Girl’s tears dried and she began to smile.
‘You see now, my daughter,’ the Stone Mother said. ‘We all have our place and our importance, from the greatest tree to the tiniest insect, from the most colourful butterfly to the plainest blade of grass. Never forget that you are a part of the great cycle; there is never a need to doubt yourself.’
‘Thank you, Mother. I will always remember,’ the Moss Girl replied.
The Stone Mother returned her smile. Then she cast that smile to all in the glade before returning to the rocks from whence she had come. Moments later, it was as if she had never been there at all.
Yet the Moss Girl was forever changed. No longer feeling unworthy and second-best, she danced her own dance with the naiads and the sylphs from then on.

The Sock Goblin

Odd socksMost of us are familiar with this vindictive little creature. Part of the gremlin / goblin family and relatively benign in comparison to some other members, this small, rarely sighted being likes to wreak havoc in the quietest yet most irritating of ways. In common with its gremlin relatives it targets modern electrical equipment, in this case specifically washing machines. It makes its nest in the outer casing and accesses the drum to steal odd socks from random loads. Sometimes it will take a particular fancy to one and use it as a sleeping bag but usually it stores them in a pile and may reintroduce them one at a time to another load at some future point.

Thefts and returns will be random but frequent in order to lull the target human into a false sense of security before upping the ante to make them feel that they are going mad. Many socks it likes to nibble on before they are returned. This is not to satisfy hunger but merely to further hinder its target. What sustains it are the cries of frustration and the palpable annoyance of said human each time they are sorting the socks into pairs and always find one or two orphans, or a pair that look as if they have lost the battle with a giant moth. Then its wicked grin grows wider and its little teeth grow sharper and it eagerly awaits its next opportunity to cause havoc. On occasion and to cause maximum distress it may also stick a sock down the out pipe to block the drain and possibly flood the kitchen.

Sock goblins are frighteningly common and sadly very difficult to get rid of. The only way is to starve them out. So if you frequently find odd socks at the bottom of your basket, don’t curse and swear. Smile, be glad and use them as dusters instead. The environment may thank you but the goblin most certainly won’t!

Summer Night

night sly

Photo: Michael J Bennett

There is nothing quite like being outside wrapped in the warm blanket of not quite darkness on a summer night. Everything takes on a slightly mystical edge and there is that tingle of excitement or anticipation, But for what? The things that we can’t see? The things that might yet be? Who knows? It’s a magical feeling, whatever it is.

 

In the darkness made undark
By the clear pure moon
And the silence that is not
silence, broken
By bat flight and small rustlings
We lay, cocooned between
earth and sky
And heard the stars sing.

Dreaming the Moon

crescent moon over seaI am delighted and very excited to say that my first novel, Dreaming the Moon, will be coming out in paperback on 25th August 2014. The fantastic cover photograph was taken by the very talented Alex Smith (thank you so much) and formatted by the amazing web wizard, Simon West (again, thank you).

It’s a modern fantasy that follows Robyn, heartbroken and haunted by strange dreams, who discovers that this world is not the only one, but is separated from another magical realm by a protective shield that is failing. Thrown into a desperate situation, she and her friends are pitted against time and dark forces in a seemingly impossible task, the search for a lost fragment that will restore the shield and save both worlds.

If you like to look at life a little sideways, if you ask yourself sometimes ‘Was that only a bird rustling in the hedge or was it something else?’, or ‘Did I misplace my keys or is something otherworldly teasing me?’; If you’ve ever thought that the woods seem darker than they should when you’re walking alone at dusk, or wondered if it was just coincidence that you called your best friend at exactly the same time as he/she called you, then I hope that this will appeal to you. And if you’re not familiar with my work, may I (very cheekily) say that I have two ‘snack-size’ stories out as e-books: When Joe Met Alice and Catching Up With The Past, available from Magic Oxygen and Amazon, just in case you fancy an appetiser.

Izzy

The apple tree and the fairy ring

Apple tree with daisies

The Apple Tree

At the end of the garden is an old apple tree, sacred as all apple trees are. Trunk straight and weather worn, branches reaching in one of nature’s perfect imperfect circles, lichen gilding the bark like silver moss. Now she has her green skirts on but soon they will become a rich array of pinks as the blossom opens. The bees will be happy when that happens. They will rest gently and drink from the tiny cups, loading up with gold before they move on, slow and drunken with sunshine.

Beneath the tree and in the grassy space beyond, the faeries have been dancing secretly, late at night with only the moon to watch them. I know this because everywhere their feet have touched they have left their own tiny stars behind, like glitter in the grass. Except… we humans don’t see those stars in their true form. They look like daisies to us.

Connor Cadellin McKee launches Children of the Crater

I am excited! On Monday 26th May, Children of the Crater, the first novel from the very Connor Cadellin Mckee
talented Connor Cadellin McKee is launched to the world. Lucky world! Having had the privilege of editing this book, I know first hand just how good it is – a dark dystopian fantasy which raises all sorts of questions and will leave you breathless. Here’s what Connor has to say about it

 

 

Children of the CraterFive years ago, my 16 year old self had a dream. One of those really vivid ones that makes you sit up in the night and scrabble for a pen and paper because it was so vivid.
Now, I used to write down an awful lot of these, but this one was special. My recollection was fragmented, but I had the important pieces. A man tumbling down into a crater ringed with riot police. Flying above the night sky, green flames writhing across my skin. A longhouse hidden deep in the jungle. It was fantastic; I wanted to meet these characters, learn their story.
I used to do sketches from the more vivid dreams, and I got to work pretty quickly on this one. I tried making it into a graphic novel originally, but the sheer level of drawing needed for that dissuaded me. It wasn’t until that summer that I had the idea of writing it down on a computer. It weaved and shifted as the years went by; I continually chopped it up, rearranged it, threw in new sections, and it began to materialize from a myriad of different scraps of paper and text documents on my old laptop.
And suddenly the release date is upon me! It feels almost unreal; I had never expected it to come this far. Children of the Crater as it is now called, is a book sitting on my shelf, with my name and the character I once sketched out on an airline napkin. It almost makes me wonder how many undiscovered worlds are out there, sitting in desk drawers.

Writer’s block.

Blank paperWe all get it sometimes. That panic when everything we try to write turns out wrong, dull, clichéd, not how we wanted it to sound, that horrible feeling of paralysis when faced with a blank page, the nightmare when we know what we need to write but we just can’t do it. The words skitter away like ants, the pen is frozen. It’s frustrating. It’s demoralising. It makes you want to tear your hair out, or drown your sorrows in wine. Or chocolate. Or both. So one day I decided to turn the foe into a friend and this is what I came up with.

I stare
The paper stares back
Blank, white, merciless.
It says ‘You
Are uninspired, unworthy,
Worthless.’
I try harder, twitch the pencil,
Stop mid air.
The paper laughs
‘You still think you can?’ it taunts.
‘Go on. Dare you.’