Author Archives: izzyrobertson

A Cloak of Glass by Connor Cadellin Mckee

I am pleased to have another guest post from the talented Connor Cadellin Mckee, introducing his new story, A Cloak of Glass, a short prequel to his dark, dystopian novel Children of the Crater, which was released in May 2014. And lucky us, this one’s free to download. Thanks, Connor!

 

A Cloak of Glass

Art work by Phanutchanat Chareonsap & Connor Mckee

It happened on the 19th of July, 2014. I was sitting in a Dutch coffee shop, a warm drink resting on the knotted wooden table before me. I was thinking not of drinking, but of stories. I wanted to write a prequel to Children of the Crater, that much I had worked out, but which characters to follow? One by one I ticked off Vanir in my head; many of my characters were simply too young to have much more backstory than I had already given them. At the moment my mind reached the twins, two identical women walked in and took a seat at the table across from mine. I said nothing to them, nor they to me; but the idea was planted.

By that evening I had the story mapped out, and now here we are. A Cloak of Glass has been released here on the internet (for free) via Smashwords. The twins are such mysterious characters to me, they are really fun to write about. Enjoy!

https://www.smashwords.com/books/view/472043

A Dilemma

Jars of sweetsIt’s been a busy month with one thing and another and last week, as I completed a piece of work for Magic Oxygen (exciting stuff; more information soon), I found myself with a bit of a lull. Just as I was planning to start a) re-drafting the novel I wrote earlier this year and b) finishing a novelette that has been waiting patiently for some attention, what happens?

Two new characters walk into my head and quietly but insistently make themselves at home. I watch as their story begins to take shape, fragments and scenes and information pouring through my conscious. They are difficult to ignore, try as I might, and within a few hours they have been joined by two more characters, some locations and a soundtrack.

They are intriguing and despite my (admittedly rather half hearted) attempts to send them to the back of the queue I am driven to make some notes – a little background information, some scenes, scraps of conversation, . A vague timeline presents itself. So here is my dilemma – do I start writing their story now and make the others wait? Or do I keep making notes and hatching a plan whilst finishing what has already been waiting too long, and brave the challenge of National Novel Writing Month again this November? Hmmm…

As dilemmas go, it’s a pretty pleasant one. A bit like standing in the sweet shop when you’re nine, thinking ‘Pear drops or toffees? Chocolate or jelly beans?’ Such a tough decision! Perhaps the only way to solve it is to indulge in a nice cup of tea and some contemplation under the apple tree…

The Moss Girl – a short story

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Moss on rocks by stream

Photo by Jon Sullivan

The Moss Girl gazed from the outcrop of rocks into the clearing where the stream sparkled and the silver birches laughed, swinging their silky green hair over the water. The beeches stood behind them, the tree cover thickening away from the glade. She felt the old stones beneath her, skeleton to her skin, heard the soft music of the sunlit air and the quiet awe of the people who wandered through, commenting on the beauty of the water, the trees, the flowers that danced through the grass. It saddened her;  she did not have the grace of the birches and their sisters, the ash or the colourful clothes of the starflowers and campion and buttercups. She lacked the musical voice of the flighted ones and the brilliance of the water which threw diamonds all around, the ancient stillness of the rocks and the old wisdom of the trees. The shimmering loveliness of the leaves beneath the radiance of the sun and moon was beyond her. She felt unseen amongst nature, unnoticed and unimportant.

She rose in the morning to join the dance with the tree sylphs, and they encouraged her, whirling around her and whispering ‘Well done, little sister.’ But they were taller and more elegant than she, light as air, and try as she might she could never keep up. She rose in the night to follow the naiads as they skipped and skated along the stream, and they called to her ‘Join us, little sister.’ But they were quicker and stronger than she, streamlined and sleek in the water, and she was always left behind.

One night, when the moon was full and the glade gleamed softly in the light, it became too much for the Moss Girl. She knelt bereft by the brook, watching the naiads leaping from the silvered surface and the sylphs gliding amongst the tree trunks, salt tears slipping down her face into the water and onto the ground. The naiads came to her and said ‘Don’t weep, little sister, for your tears will turn our stream into sea and we will have to leave.’ The sylphs came to her and said ‘Don’t weep, little sister, for your tears will salt the earth and our trees will not grow and we will have to leave.’ So the Moss Girl returned to her place and curled up into a ball and wept onto the rocks where she would cause no harm.

Eventually, she became aware of movement, a shifting and creaking and grinding behind her. She sat up quickly, unsure of what was happening. The surface of the stone rippled and tore; a figure began to emerge, pulling out of the very rock itself. Stillness fell over the glade – the naiads came to rest at the edge of the stream and the sylphs returned to stand silently beside their trees. The Moss Girl drew herself into the smallest space she could, all but disappearing into her soft green dress.

The figure shook herself loose from the outcrop and moved forward, stretching. The Moss Girl hid her face, recognising the power of a most ancient spirit. The Stone Mother rarely appeared in person – she, like the others of her kind, was usually there as a presence only. For her to corporealise indicated something of great importance and the Moss Girl wanted to stay out of the way. So she was surprised when she felt a hand on her head, stroking her soft green hair.

‘Why are you crying, little one?’ The voice was deep and resonant, felt through the bones of the earth.
‘Oh Mother, it is nothing important,’ said the Moss Girl, horrified that she had taken the Mother’s attention away from her duties.
‘It is important,’ the Stone Mother disagreed. ‘When one of us weeps as you are now, it affects us all.’
‘But I have no worth,’ said the Moss Girl. ‘I am plain, not beautiful like the flowers, and clumsy, not graceful like the trees, and dull, not brilliant like the naiads. I help no one, I please no one. I…’
The Stone Mother took the Moss Girl’s face in her hands.
‘Everyone and everything has its worth, child, but it should not be measured against others. You look out and see the beauty in all around you, but you have forgotten how to see it in yourself. That is why I am here – to remind you of what you truly are. Look into my eyes and you’ll see what I see.’

The Moss Girl did as she was told and looked into the Stone Mother’s dark eyes. There were pictures forming and she saw herself cushioning the rocks, the sunlight illuminating her in every glorious shade of green. She saw the many tiny creatures that made their home amongst the roots that she sent down, the birds taking bits of her loose hair to line nests ready for their young and people wandering through,  reaching out to touch her appreciatively or sitting to rest cocooned in her softness.
The Moss Girl’s tears dried and she began to smile.
‘You see now, my daughter,’ the Stone Mother said. ‘We all have our place and our importance, from the greatest tree to the tiniest insect, from the most colourful butterfly to the plainest blade of grass. Never forget that you are a part of the great cycle; there is never a need to doubt yourself.’
‘Thank you, Mother. I will always remember,’ the Moss Girl replied.
The Stone Mother returned her smile. Then she cast that smile to all in the glade before returning to the rocks from whence she had come. Moments later, it was as if she had never been there at all.
Yet the Moss Girl was forever changed. No longer feeling unworthy and second-best, she danced her own dance with the naiads and the sylphs from then on.

The Sock Goblin

Odd socksMost of us are familiar with this vindictive little creature. Part of the gremlin / goblin family and relatively benign in comparison to some other members, this small, rarely sighted being likes to wreak havoc in the quietest yet most irritating of ways. In common with its gremlin relatives it targets modern electrical equipment, in this case specifically washing machines. It makes its nest in the outer casing and accesses the drum to steal odd socks from random loads. Sometimes it will take a particular fancy to one and use it as a sleeping bag but usually it stores them in a pile and may reintroduce them one at a time to another load at some future point.

Thefts and returns will be random but frequent in order to lull the target human into a false sense of security before upping the ante to make them feel that they are going mad. Many socks it likes to nibble on before they are returned. This is not to satisfy hunger but merely to further hinder its target. What sustains it are the cries of frustration and the palpable annoyance of said human each time they are sorting the socks into pairs and always find one or two orphans, or a pair that look as if they have lost the battle with a giant moth. Then its wicked grin grows wider and its little teeth grow sharper and it eagerly awaits its next opportunity to cause havoc. On occasion and to cause maximum distress it may also stick a sock down the out pipe to block the drain and possibly flood the kitchen.

Sock goblins are frighteningly common and sadly very difficult to get rid of. The only way is to starve them out. So if you frequently find odd socks at the bottom of your basket, don’t curse and swear. Smile, be glad and use them as dusters instead. The environment may thank you but the goblin most certainly won’t!

Summer Night

night sly

Photo: Michael J Bennett

There is nothing quite like being outside wrapped in the warm blanket of not quite darkness on a summer night. Everything takes on a slightly mystical edge and there is that tingle of excitement or anticipation, But for what? The things that we can’t see? The things that might yet be? Who knows? It’s a magical feeling, whatever it is.

 

In the darkness made undark
By the clear pure moon
And the silence that is not
silence, broken
By bat flight and small rustlings
We lay, cocooned between
earth and sky
And heard the stars sing.

Dreaming the Moon

crescent moon over seaI am delighted and very excited to say that my first novel, Dreaming the Moon, will be coming out in paperback on 25th August 2014. The fantastic cover photograph was taken by the very talented Alex Smith (thank you so much) and formatted by the amazing web wizard, Simon West (again, thank you).

It’s a modern fantasy that follows Robyn, heartbroken and haunted by strange dreams, who discovers that this world is not the only one, but is separated from another magical realm by a protective shield that is failing. Thrown into a desperate situation, she and her friends are pitted against time and dark forces in a seemingly impossible task, the search for a lost fragment that will restore the shield and save both worlds.

If you like to look at life a little sideways, if you ask yourself sometimes ‘Was that only a bird rustling in the hedge or was it something else?’, or ‘Did I misplace my keys or is something otherworldly teasing me?’; If you’ve ever thought that the woods seem darker than they should when you’re walking alone at dusk, or wondered if it was just coincidence that you called your best friend at exactly the same time as he/she called you, then I hope that this will appeal to you. And if you’re not familiar with my work, may I (very cheekily) say that I have two ‘snack-size’ stories out as e-books: When Joe Met Alice and Catching Up With The Past, available from Magic Oxygen and Amazon, just in case you fancy an appetiser.

Izzy

Launch Day!

When Joe Met Alice coverToday ‘When Joe Met Alice’ has officially entered the big wide world, and a long held dream has been realised. I have had something published! Please excuse me if I sound a little excited – in fact no, make that a big excited. As a writer you hope one day you will find yourself in print, be it paper and ink or pixels and screen, but that is tempered by all sorts of things, the vagaries of the market, what’s hot and what’s not, writer’s block, a good dose of self doubt etc., etc. However, at the risk of starting to sound like someone making a bad Oscar’s speech, I have been lucky enough to have family and friends that encouraged, enthused and occasionally nagged me, until the light at the end of the tunnel turned into sunshine and Magic Oxygen. Thank you, all of you, for having faith and telling me I could. I couldn’t have done it without you!

So… if you are champing at the bit to buy it head over to Amazon for the Kindle version or SmashWords for other e-Book versions.

The Final Countdown

Clock faceWell, the day is nearly here and I can hardly believe it. Tomorrow ‘When Joe Met Alice’ is officially released as an e-book, and will be available in all the usual places. ‘When Joe Met Alice’ is a romance with a magical twist, set around Halloween, which is why I’m so pleased it’s coming out now, so close to the day itself. Not surprisingly, I love Halloween, the history and the mystery, the chance to dress up and have fun, while remembering all those that have gone before. It’s a night where in the past I’ve scared myself silly swapping ghost stories with friends and watching daft horror films from behind a cushion. However now I prefer something a little gentler and kinder to my sleep pattern. Alice and Joe gave me the perfect story to celebrate with. So if you like something bitter-sweet and a little spooky, let me invite you into their world tomorrow. I hope you enjoy it!

The Origin of Stories

Pen and writingAt the risk of sounding quite crackers, my stories usually begin when a character walks into my head; they always have a story attached. They are often associated with a particular place as well. They mooch around for a bit and eventually become insistent that I write them down – often then the story continues to develop from there. The writing process occasionally drives on to the end (deadlines can be handy), but more often than not continues in fits and starts over a variable time frame. Continue reading

Science or Mystery?

Test tubes UnicornMaybe I have a subversive streak, but I actually really like things that can’t be explained. Studying science at school and then physiotherapy, everything had to be proven, results had to be reliable and repeatable, all techniques had to be justified; the best and most efficient means to an end. And while this is absolutely desirable and necessary in many, many fields, it kind of knocks the wonder out of life a bit. I want the best of both worlds; I’m greedy I suppose. There are so many bizarre coincidences and odd happenings that we experience in life, and most of the time we measure them against our known parameters and come up with the most likely, logical explanation. But sometimes I think what if there is something else going on? Some other force at play? And as well as scaring myself silly, ‘what if’ is a very good place for a story to start.